La Trinca: The Complete Discography of the Legendary Catalan Group
La Trinca was a Spanish music, show and humour group that was active from 1969 to 1989, from Catalonia. The group was formed by Josep Maria Mainat, Toni Cruz and Miquel Àngel Pascual, and was linked to the Catalan Nova Cançó movement, although they later translated some of their songs into Spanish. La Trinca became very popular in Catalonia and Spain for their witty and irreverent songs, their parodies of famous singers and genres, and their humorous shows and performances. La Trinca recorded 21 albums and sold more than 10 million copies during their career. In this article, we will review their complete discography and highlight some of their most memorable songs.
Tots Som Pops (1969)
This was the debut album of La Trinca, released by Edigsa in 1969. The title means “We Are All Pops” in Catalan, and reflects the group’s intention to make pop music with a Catalan identity and a humorous twist. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Ob-La-Di, Ob-La-Da” by The Beatles or “Those Were the Days” by Mary Hopkin. Some of the most notable songs of this album are “Tots Som Pops”, a parody of pop music and its clichés; “El Baró de Bidet”, a satire of the aristocracy and its decadence; and “Què Bonic Que És el Vi”, a tribute to wine and its effects.
Festa Major (1970)
This was the second album of La Trinca, released by Edigsa in 1970. The title means “Town Festival” in Catalan, and refers to the traditional celebrations that take place in many towns and villages of Catalonia. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Yellow Submarine” by The Beatles or “Aquarius” by The 5th Dimension. Some of the most notable songs of this album are “Festa Major”, a parody of the town festivals and their customs; “El Senyor Horta”, a satire of the rural life and its contradictions; and “La Marieta de l’Ull Viu”, a song about a ladybug that becomes a symbol of freedom and rebellion.
Trincar i Riure (1971)
This was the third album of La Trinca, released by Edigsa in 1971. The title means “To Bite and Laugh” in Catalan, and reflects the group’s attitude towards life and music. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “In the Summertime” by Mungo Jerry or “Raindrops Keep Fallin’ on My Head” by B.J. Thomas. Some of the most notable songs of this album are “Trincar i Riure”, a song about the joy of living and laughing; “El Meu Avi”, a tribute to the grandfather of one of the members of the group; and “La Planta 14”, a song about a hospital ward where strange things happen.
L’Orgue de Gats per els Infants (1971)
This was the fourth album of La Trinca, released by Edigsa in 1971. The title means “The Cat Organ for the Children” in Catalan, and refers to a medieval instrument that consisted of a row of cats whose tails were pulled by a keyboard, producing different sounds. The album contains 12 songs, mostly original compositions by the group, but also some adaptations of traditional songs and nursery rhymes. The album is intended for children, but also has a subversive and ironic tone. Some of the most notable songs of this album are “L’Orgue de Gats”, a song that describes the cat organ and its history; “La Cançó dels Números”, a song that teaches the numbers from one to ten; and “La Cançó dels Colors”, a song that teaches the colors and their meanings.
Xauxa (1972)
This was the fifth album of La Trinca, released by Edigsa in 1972. The title means “Cockaigne” in Catalan, and refers to a mythical land of plenty and pleasure. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “American Pie” by Don McLean or “Chirpy Chirpy Cheep Cheep” by Middle of the Road. Some of the most notable songs of this album are “Xauxa”, a song that describes the utopian land of Cockaigne and its wonders; “El Tribunal de la Rota”, a satire of the ecclesiastical court and its corruption; and “La Cançó de la Lluna”, a song that praises the moon and its influence.
Bestiari (1972)
This was the sixth album of La Trinca, released by Edigsa in 1972. The title means “Bestiary” in Catalan, and refers to a medieval book that described various animals and their symbolic meanings. The album contains 12 songs, mostly original compositions by the group, but also some adaptations of poems by Joan Oliver (Pere Quart), a Catalan poet and playwright. The album is a tribute to Oliver and his work, and also a reflection on the human condition through the eyes of different animals. Some of the most notable songs of this album are “Bestiari”, a song that introduces the concept and the purpose of the album; “El Gat”, a song that portrays the cat as a cunning and independent creature; and “L’Elefant”, a song that depicts the elephant as a wise and noble animal.
Mort de Gana (1973)
This was the seventh album of La Trinca, released by Edigsa in 1973. The title means “Starving” in Catalan, and refers to the hunger and poverty that affected many people in Spain and the world at that time. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Killing Me Softly with His Song” by Roberta Flack or “You’re So Vain” by Carly Simon. Some of the most notable songs of this album are “Mort de Gana”, a song that denounces the social and economic inequalities and injustices; “La Cançó dels Pobres”, a song that expresses the solidarity and dignity of the poor people; and “La Cançó dels Rics”, a song that mocks the greed and hypocrisy of the rich people.
Ca-Barret! (1973)
This was the eighth album of La Trinca, released by Edigsa in 1973. The title means “Beware!” in Catalan, and reflects the group’s warning and criticism of the political and cultural situation of Spain and Catalonia under Franco’s dictatorship. The album contains 12 songs, mostly original compositions by the group, but also some adaptations of traditional songs and anthems. The album is a manifesto of the group’s commitment to democracy, freedom, and Catalan identity. Some of the most notable songs of this album are “Ca-Barret!”, a song that urges the people to be alert and resist oppression; “La Cançó dels Catalans”, a song that celebrates the history and culture of Catalonia; and “La Cançó de la Llibertat”, a song that demands the right to self-determination and independence.
Trincameron (1975)
This was the ninth album of La Trinca, released by Pebrots in 1975. The title is a pun on “Trinca” and “Decameron”, a collection of novellas by Giovanni Boccaccio. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “I’m Not in Love” by 10cc or “Mandy” by Barry Manilow. The album is inspired by Boccaccio’s stories and their themes of love, sex, and humor. Some of the most notable songs of this album are “Trincameron”, a song that introduces the album and its concept; “La Cançó de l’Amor”, a song that explores the different aspects and expressions of love; and “La Cançó del Sexe”, a song that celebrates sex and its pleasures.
Opus 10 (1976)
This was the tenth album of La Trinca, released by Pebrots in 1976. The title is a reference to the classical music term “opus”, which means “work” or “composition”. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Bohemian Rhapsody” by Queen or “Fernando” by ABBA. The album is a tribute to the group’s musical influences and inspirations, ranging from classical music to rock and pop. Some of the most notable songs of this album are “Opus 10”, a song that summarizes the group’s musical journey and achievements; “La Cançó de Mozart”, a song that honors the genius and legacy of Wolfgang Amadeus Mozart; and “La Cançó de Queen”, a song that praises the creativity and style of Queen.
Vestits de Milionaris (1977)
This was the eleventh album of La Trinca, released by Edigsa in 1977. The title means “Dressed as Millionaires” in Catalan, and refers to the group’s new image and style, more sophisticated and elegant than before. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Don’t Go Breaking My Heart” by Elton John and Kiki Dee or “Money, Money, Money” by ABBA. The album is a reflection of the group’s success and popularity, but also a satire of the consumerist and materialist society. Some of the most notable songs of this album are “Vestits de Milionaris”, a song that describes the group’s transformation and aspirations; “La Cançó dels Impostos”, a song that complains about the high taxes and their unfair distribution; and “La Cançó dels Banquers”, a song that criticizes the greed and corruption of the bankers.
Trempera Matinera (1977)
This was the twelfth album of La Trinca, released by Ariola in 1977. The title means “Morning Dew” in Catalan, and refers to the freshness and vitality of the group’s music. The album contains 12 songs, mostly original compositions by the group, but also some covers of international hits such as “Knowing Me, Knowing You” by ABBA or “You Make Me Feel Like Dancing” by Leo Sayer. The album is a celebration of life and happiness, but also a critique of the social and political problems of Spain and Catalonia at that time. Some of the most notable songs of this album are “Trempera Matinera”, a song that expresses the joy and optimism of the group; “La Cançó dels Estudiants”, a song that supports the students’ protests and demands; and “La Cançó dels Catalans Lliures”, a song that claims the freedom and autonomy of Catalonia.
Conclusion
La Trinca was a unique and influential group that marked the history and culture of Catalonia and Spain. Their discography is a testimony of their talent, creativity, and humor, as well as their commitment to democracy, freedom, and Catalan identity. Their songs are still enjoyed and remembered by many people, who appreciate their musical quality and their social and political messages. La Trinca was more than a music group, it was a phenomenon that transcended the boundaries of art and entertainment. If you want to discover or rediscover their discography, you can find it online or in some record stores.
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